control ROOM

LO-FI ROOM

ready to bring your song to the finish line?

This image depicts a music studio filled with various musical equipment. In the foreground, there is a keyboard synthesizer on the left side. To the right, there is a patterned rug covering the floor with a small table and an office chair. The central area includes a DJ controller, a laptop, and sound equipment on a desk. Along the walls, there are speakers and an amplifier. The room is decorated with colorful string lights and a few framed pictures. Behind the desk, there is a window with a glass door, and the room has an eclectic, cozy atmosphere.
This image depicts a music studio filled with various musical equipment. In the foreground, there is a keyboard synthesizer on the left side. To the right, there is a patterned rug covering the floor with a small table and an office chair. The central area includes a DJ controller, a laptop, and sound equipment on a desk. Along the walls, there are speakers and an amplifier. The room is decorated with colorful string lights and a few framed pictures. Behind the desk, there is a window with a glass door, and the room has an eclectic, cozy atmosphere.

ready to bring your song to the finish line?

A music studio with a keyboard on the left, a computer, speakers, a colorful patterned rug, various musical equipment, and string lights on the ceiling.

we offer two branches of lo-fi production: SMALL SCALE CASSETTE TAPE DUPLICATION & LO-FI DEMO RECORDING

lo-fi room

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cassette tape duplication

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cassette tape demo recording

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lo-fi room { cassette tape duplication - cassette tape demo recording {

A song is a living {rganism - every project starts and develops differently

almost there…! your song and all of that effort is closer to be an audio file on your desktop {{{ 

almost there…! your song and all of that effort is closer to be an audio file on your desktop {{{ 

so now your song has been written, arranged, recorded and produced and it’s time to clean it up and bring it to the finish line with some post-production work

we offer two branches of the post-production process: EDITING and MIXING

EDITING


for recordings that need some tightening, before the mix stage

editing is a process which is especially relevant when performances are strong but need some technical refinement to feel somewhat clean and consistent - this can include vocal comping, timing adjustments/pocketing, cleaning recordings (like removing background noises at the start or end of takes), aligning performances, or subtle pitch correction when needed

the goal isn’t to change the character of a performance, but to remove some technical distractions so that the emotional intent comes through more clearly

editing is a technical endeavour and due to our experience we prefer to separate it from the mixing stage which requires a creative hat

(polishing your audio files and getting them ready to mix)

MIXING


A desk with audio recording and editing equipment including a computer monitor with audio tracks, a laptop, a multimedia controller, a large speaker, and various small objects like guitar picks, pens, and a small notebook.

(making your songs and final recordings make sonic and emotional sense)

for artists looking to record demos on a budget directly to cassette tape

one of the core elements of our studios is our love for grain and character

we are able to record directly into cassette tape making use of our cassette tape recorders, microphones and outboard gear (for example our TASCAM 424MKIII recorder, our AKAI M8 Valve Preamps, our Tascam M106 mixer and various guitar pedals)

a digital master is offered with each demo recorded if requested

need mastering?

we can direct you to some friends that we trust with our mixes {


mixing and editing rate$ info

once again, talking money in a creative environment can be weird at times. we understand first-hand that creativity is fluid and songs evolve constantly throughout the process - ideas shift and projects take on unexpected directions. so at PGS we aim to establish a healthy and transparent structure early on, allowing the creative process to flow freely afterwards

every “control room” project has a fixed rate per/song for “Mixing” and an hourly/daily rate for “Editing”

there’s no “right way to mix a song”, and because we mix mostly ITB, we currently don’t work with a limited number of revisions - turning the bass up on a version and down again on the next is no problem to us… in cases where the revision notes ask for complete foundational remix or the addition of new tracks after we’ve been deep in the process, we may require an adjustment to the original budget and will charge a flat “remix revision” fee

for “Editing”, it’s simple, we set the clock and do the work as carefully and efficiently as we can - we’re quite fast!

to secure studio time, project scheduling, and preparation work, a non-refundable deposit is required once the project scope and budget have been agreed upon

we also understand that every artist and project exists within different financial realities, and we are always open to discuss approaches that make sense for the songs and the artist behind the song

reach out to find our rates

need mastering? we can direct you to some friend that we trust with our mixes {

EDITING (polishing your audio files and getting them ready to mix)

MIXING (making your songs and final recordings make sonic and emotional sense)

EDITING

(polishing your audio files and getting them ready to mix)